علم التحكم االلكرتوني )السربانطيقا( واثره على فن األداء يف عصر بعد... ما بعد احلداثة

Transcription

1 علم التحكم االلكرتوني )السربانطيقا( واثره على فن األداء يف عصر بعد... ما بعد احلداثة

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3 Cybernetics. Cybernetic Art

4 (Cyber Cyborg Organism. Post- Postmodernism

5 22 25 Rene Descartes 6 Leibntis Nietzsche

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7 Heide Ziegler

8 Tom Turner

9 Céline Lafontaine 83 2 André Marie Ampère 56 Norbert Wiener Kubernetes 836 Cybernetics or control and communication 568 animal and the machine in the

10 ( Nicholas Schoeffler Cysp

11 Edward Ihnatowicz James Seawright Tony Martin 58 Jack Burnham Glow flow

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13 Marcel Duchamp ) Georges ( Mathieu "

14 8 Yves Joseph Beuys Allan Kabrow Marina Abramovich Vito Acconci Fluxus Klein shoot Chris Burden 5 Five Day Locker Piece

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16 Stelarc Orlan

17 - 57 -

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19 The Harlequin's Coat ORLAN 0 22 اورالن Orlan

20 international bio art collective Symiotica Science Laboratory at the University of Western Australia 202 Exoskeleton Stelarc 2 ستيالرك

21 202 color choir Neil Harbisson 2 Neil Harbisson

22 2226 Eyeborg 32 USB )

23 The Cyborg Foundation "

24 () - (4) - Smith, Edward Lucie: Dictionary of Art Terms, Thames &Hudson, New York, 2004, 2 nd edition, p

25 - )5( (7) -Turner, Tom: City as Landscape: A Post Post-modern View of Design and Planning, Taylor & Francis, London, 996, p 0. (20) - Rosdorff, Leopold Willem: The Framework of Legal Evolution, Springer, 974, p3. (2) - Levin, Miriam R. : Cultures of Control, Harwood academic publisher, Routledge, 2000, p252. (22) - Wiener, Norbert : Cybernetics Or Control and Communication in the Animal and the Machine, MIT Press, Cambridge, Massachusetts, 2nd edition, 948, and Pickering, Andrew: The Cybernetic Brain Sketches of Another Future, University of Chicago Press, Chicago and London, 200, p3. (25) - Sommerer, Christa & Laurent Mignonneau: The Art and Science of Interface and Interaction Design, Springer,Verlag Berlin, 2008, p

26 (3)- Parr, Adrian: The Deleuze Dictionary Revised Edition, Edinburgh University Press, 2005, P

27 Levin, Miriam R. : Cultures of Control, Harwood academic publisher, Routledge, Parr, Adrian: The Deleuze Dictionary Revised Edition, Edinburgh University Press, Pickering, Andrew: The Cybernetic Brain Sketches of Another Future, University of Chicago Press, Chicago and London, 200. Rosdorff, Leopold Willem: The Framework of Legal Evolution, Springer, 974. Smith, Edward Lucie: Dictionary of Art Terms, Thames &Hudson, New York, 2 nd edition,2004. Sommerer, Christa & Laurent Mignonneau: The Art and Science of Interface and Interaction Design, Springer,Verlag Berlin, Turner, Tom: City as Landscape: A Post Post-modern View of Design and Planning, Taylor & Francis, London, 996. Wiener, Norbert : Cybernetics Or Control and Communication in the Animal and the Machine, MIT Press, Cambridge, Massachusetts, 2nd edition, 948, and

28 The Cybernetics and its effects on the Performance Arts in Post Postmodernism Abstract Communication infrastructure is becoming the center of power and the engine controller of the new reality and modern global societies. It requires; however, finding modes and mechanisms to achieve universal communication using digital systems, media and advertising. These modes and mechanisms contribute in making the gap, caused by the strategies of the previous era, disappear. However, the digital infrastructure requires openness to others and communication to make a shift from the ideas of postmodernism, which has been influential on literature and art. Moreover, the term cyber has been more effective when it was combined to humanity sciences including arts with broader meanings and different aesthetic features. Their systems are derived from relational overlap between science and art, to bring about an unfamiliar approach that take legibility of the discoveries of modern technology in the new digital age. Verily, this has led to find formats invoking their standards, values and forms depending on the technical school, which was used by, and technology that fits their changing formats. Consequently, they have caused gradual shifts in the meaning of art on the lexical and cognitive level. This unlimited openness, eventually opens the way for researchers seeking experimental creativity to experience the new media which is one of the first steps to move toward the cyber era in the third millennium. This paper The Cybernetics and its effects on the Performance Arts at postpostmodernism; however, sheds light on the changes brought about by Cybernetic on the art of performance. The paper includes four chapters. Chapter One states the methodological framework of the research. It displays the research problem, its significance, and the research objectives and determines the important terms of the subject. Chapter Two which contains three sections, gives the theoretical framework. The first section focuses on the postmodernism era, section two concerns with Cybernetics technology, whereas the third section studies the relationship between the science of cyber systems and the performance beyond humanity. In Chapter Three, three samples are analyzed, whereas the results that this paper comes with are set in Chapter Four